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Thu, 08-15-2013, 09:52 AM
#11
Today I learned (or so it seems, I can't scientifically verify) that a high(er) end sound system may improve the sound of lossy encodes more than lossless ones. This contrasts with the common (and true?) perception that a high fidelity system brings out the flaws in recordings. I think that statement applies more to physical/mastering flaws.
I was playing around with lossy codecs today because the AAC-LC encode from Freac (an audio conversion program) sounded worse than anticipated. I spent a good few hours playing with some LAME mp3 settings as well as the output from a handful of AAC encoders. I was having much more difficulty telling the difference between themselves compared to my brother's less-hifi speakers. On my set, I was trying to tell how they were different. On his speakers, I could hear the difference - the headache was deciding on which type of distortion I could deal with better.
I think what happens is that the low-fidelity (but not complete rubbish) system's non-flat frequency response thwarts the psychoacoustic masking techniques employed by the codecs when they try to make artefacts "inaudible".
Last edited by Buffalobiian; Thu, 08-15-2013 at 10:27 AM.
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